Carolyne Wright’s most recent books are Masquerade, a memoir in poetry (Lost Horse Press, 2021) and This Dream the World: New & Selected Poems (Lost Horse Press, 2017), whose title poem received a Pushcart Prize and appeared in The Best American Poetry 2009. She has nine earlier books and chapbooks of poetry; a ground-breaking anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations; and five award-winning volumes of poetry in translation from Spanish and Bengali— the latest of which is Map Traces, Blood Traces / Trazas de mapa, trazas de sangre (Mayapple Press, 2017), a bilingual sequence of poems by Seattle-based Chilean poet, Eugenia Toledo (Finalist for the 2018 Washington State Book Award in Poetry, and for the 2018 PEN Los Angeles Award in Translation).
Carolyne has served as Visiting Poet and professor of Creative Writing at colleges and universities throughout the United States, including Harvard, Radcliffe, Emory University and the University of Miami. She teaches for Richard Hugo House and for national and international literary conferences and festivals. A Contributing Editor for the Pushcart Prizes, Carolyne lived in Chile and traveled in Brazil on a Fulbright Study Grant; she returned to Brazil in 2018 with an Instituto Sacatar artist’s residency in Bahia. She has also received grants from the National Endowment for the Arts, 4Culture, and Seattle’s Office of Arts & Culture, among others. A Fulbright US Scholar Award to Brazil granted in 2020 and delayed by Covid-19 took her back to Salvador, Bahia, for two months in mid-2022, and for another two months in 2024.